François Brice has a particular interest in cinema and visual arts. Film imagery is integrated into his performative works as part of a search for dialogue and narrative interaction.

Since 2010, Caroline Cornélis has refined her research towards younger audiences through the pieces Kami, Terre Ô, and Stoel. In 2018, she created 10:10, Zoom on Recess.

Lorenzo De Angelis presented his creation De la Force exercée at the Théâtre de Vanves in March 2018.

Harold Henning is a performer/creator in theater, dance, and circus.

Gabriella was supported in the creation of a piece for three dancers, titled ENTRELACS. It was created in November 2013, in partnership with the cultural centers of Huy, Jacques Franck, and the Maison de la Culture in Tournai.

Founded in 1996 by Fernando Martín and Mónica Martí Aguiar, the Fuepalbar Cie quickly developed a unique character by blending playful spirit and abstraction.

Wooshing Machine is a Brussels-based dance theater collective founded in 1998 by choreographer and dancer Mauro Paccagnella.

Ayelen has been living and working in Brussels as a choreographer since 2000. She trained in the e.x.e.r.c.e program led by Mathilde Monnier in Montpellier.

Choreographer Louise Vanneste explores the woman in a unique relationship to the body, playing with a certain abstraction and an economy of movement.

Maria Clara Villalobos founded her company in 2000 and develops an interdisciplinary body of work, drawing equally from theater, dance, and society in general.